This bench is made from all natural materials: Scottish hardwoods and Hebridean sheep wool woven through a peg loom. The hollowed out seats are hand carved and their positioning suggests how two people might interact with the bench. The design is stripped back and functional, with even the decorative parts having served a function. For example, the visible marks of the maker’s chisel and the woven fabric act as both simple-yet-pleasing decoration, and evidence of human interaction. This suggestion of a previous encounter gives the bench a poetic narrative.
This bench is made from all natural materials: Scottish hardwoods and Hebridean sheep wool woven through a peg loom. The hollowed out seats are hand carved and their positioning suggests how two people might interact with the bench. The design is stripped back and functional, with even the decorative parts having served a function. For example, the visible marks of the maker’s chisel and the woven fabric act as both simple-yet-pleasing decoration, and evidence of human interaction. This suggestion of a previous encounter gives the bench a poetic narrative.
This bench is made from all natural materials: Scottish hardwoods and Hebridean sheep wool woven through a peg loom. The hollowed out seats are hand carved and their positioning suggests how two people might interact with the bench. The design is stripped back and functional, with even the decorative parts having served a function. For example, the visible marks of the maker’s chisel and the woven fabric act as both simple-yet-pleasing decoration, and evidence of human interaction. This suggestion of a previous encounter gives the bench a poetic narrative.
This bench is made from all natural materials: Scottish hardwoods and Hebridean sheep wool woven through a peg loom. The hollowed out seats are hand carved and their positioning suggests how two people might interact with the bench. The design is stripped back and functional, with even the decorative parts having served a function. For example, the visible marks of the maker’s chisel and the woven fabric act as both simple-yet-pleasing decoration, and evidence of human interaction. This suggestion of a previous encounter gives the bench a poetic narrative.